‘Take your son sir!’, sketch booking #3.

Ford Madox Browns 1851-6 unfinished painting ‘Take your son sir!’, has floated around in my mind for years. I find it unbearably creepy and sad but also fascinating, It depicts his wife Emma holding their son Arthur, its thought to be a commentary on Victorian morality, (a mistress demanding the man take responsibility his offspring), it has such a peculiar composition, illusions to imagery of the Virgin and Child, also a nod to The Arnolfini Wedding Portrait. The desperate face of the woman almost drowned in her corpse like paleness and the weird dead eyed baby with its shiny fish belly skin, hanging in what could be both womb and winding sheet.

Madox Brown eventually abandoned the painting, probably, sadly, due to his sons death, so we only have this unfinished image, with its areas of bleak bare canvas butting up against richly worked skin tones, the intricate mirror and glided wallpapers.
I grew up in Birmingham and the Pre-Raphaelites are never very far away, but seeing this bleak unfinished work at the Tate London was quite the contrast to the lushly gorgeous canvases I was used to. I can’t consider it a favorite of mine, but something about it hangs around long after you have see it, perhaps its the very unfinished nature that fascinates.

I know its a pretty silly image I’ve made in response, where Otto comes out the best, (psst he’s not that big IRL) and I’m not sure of the relevance of Judge Dredd, but see it as a sketch, a seed of something else, maybe something I will never finish either.

Take your son sir sketch book research.

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Mari Lwyd gift

A gift for my friends birthday, shes a fan of Folk Horror and her birthday falls very near Lammas.
All free-hand no CAD, combination of pigment inks, markers and watercolour, on stretched heavy cartridge paper, you can see the development of the design from my sketch books.
nikis mari 3

 

Exciting news! Exhibition open call!

 

I feel very privileged to have been asked to curate an exhibition for Sheffield’s Year of Makers.

It with be running in Sheffield at the City of Makers Gallery in November.

The working title is ‘Woven’ and I’m interested in submissions that explore the medium of the woven material as a conduit for artistic expression and design conclusions.

I will also be showing a new piece of from my own practice as part of it.

Here’s a link to the submission details on the Year of Makers site:

http://www.sheffieldcityofmakers.co.uk/woven-open-call

Fancy more details? please get in touch:

jo@tokyojo.net

woven textile 1

Jx

The Moon Revisted, #2 progression.

Here’s the next stages in the progression of the Moon Revisited piece.

I’ve taken the concept out the sketch book on to A3 smooth cartridge paper, its in HB pencil and I’m inking with Unipin 0.3 and 0.1 pigment fine line pens.

Once inked I rub out any of the very heavy pencil lines and scan into Photoshop.

Its scanned at a very high resolution so when I scale it down to it will retain as much fine detail as possible.

From here I start the clean, copy and readjustment/refinement process.

jx

Poppy Witch

This Piece has been languishing in the digital equivalent of a dusty draw for about year after the client.. ahem..’changed their mind’ I think that’s the polite way of putting it.

So, I’ve dug her out and given her a bit of a re-model and a re-colour with something of a Roger Dean inspired pallet.

I think she deserves to see the light of day after everything she went through.

poppy witch

The Moon Revisited

Adrian Carter Sheffield based audio wizard has done just an amazing remix/revision/total overhaul (part of the Sheffield Year of Making) of my sound piece that accompanied the buried moon film.

He’s taken what was simply a bare bones audio track of me reading the folk tale and turned it into an ambient bit of magic that unfolds beautifully to colour the world around the tale.

Its simply so fantastic that I felt it deserves a visual revisit of the work to match.

Here’s the site https://meetyourmakersite.wordpress.com/

Here’s the bandcamp https://adicarter.bandcamp.com/album/meet-your-makers

Here’s the prep sketch for the work in progress straight from my sketch book:

moon rv sk bp 1
The Moon revisited

 

Portfolio Reviewing 2, Salome look 4.

This is a fashion illustration for one of the garments I designed for Oscar Wilde’s 1894 play ‘Salome’.

This piece was designed for the moment Salome receives the baptists head, I conceived it as a symbolic  joining of the two characters; (much of the play concerns Salome trying to seduce the baptist, and threatening him that she will eventuality have him despite his rejection of her). So here the baptists head has actually become part of Salome’s garment, and ultimately part of her.

Although I never got to make the final garment, (I actually made another look for the play) I toiled it extensively and  it would have been a digital print on a lycra or power mesh then hand embellished.

Amusingly despite this being a illustration of a design for a garment, (it shows no nudity and the violence content is questionable) it got me temporary ban and a warning off facebook. I personally think somebody had a problem with the suggestion of menstrual blood.

 

 “An idea that is not dangerous is unworthy of being called an idea at all” Oscar Wilde

jxsalome baptist