A gift for my friends birthday, shes a fan of Folk Horror and her birthday falls very near Lammas.
All free-hand no CAD, combination of pigment inks, markers and watercolour, on stretched heavy cartridge paper, you can see the development of the design from my sketch books.
After the fantastic news of my show extension, there was a slight panic, I had every intention of shooting the garments on a live model and furthering the narrative of the work with a short photo essay, but how to shoot garments currently on display in a exhibition?
I was really not keen on displacing the exhibition half way through even for a day, due to the complex nature of the display, so the only alternative was to shoot the garments toiles.
So for just under the last two weeks Ive been reconstructing the toiles, as most had been unpicked to make the final patterns for the finished garments, I also had to recreate the jewelry and styling (wigs etc) components as most were one offs.
As the toiles were missing much of the finished details of the finals (the screen printed pomegranates for instance), the real challenge here was trying to create the impression of the finished garment with showing too much detail giving the game away as it were.
So on Sunday we took to the moors and woods to bring the Moon to life.
Going for long shots and heavy editing post production, I’m working towards creating the feel of both the exhibition and underling narrative.
Here’s a image in progress, it reminds me of the ‘Rotoscoping’ work of Ralph Bakshi.
My lovely and incredibly patient model for the shoot, is named after the Norse Goddess Freya, who rather uncannily has a correspondence with the full moon….
‘but the Light came so quick and so white and shining, that they stept back mazed with it, and the very next minute, when they could see again, there was the full Moon in the sky, bright and beautiful and kind as ever, shining and smiling down at them, and making the bogs and the paths as clear as day, ‘